I don’t have much to say other than I loved reading this selection from the new Norton Anthology. G and G perform what they preach in “Introduction: Rhizome” from A Thousand Plateaus, a book I feel I must read now.

The challenge the conventional ideas of ideas, of thinking, of books and philosophy: “We will never ask what a book means, as signified and signifier; we will not look for anything to understand in it. We will ask what it functions with…” (1455). This is the direction I see myself going towards more and more; that is, not looking for meanins but rather trying to understand how things mean. How does a book create meaning? How does society impose its meanings?

G and G challenge the notion of the book in the Western tradition. The book is like a root (the image of logos as a root)– and to go off on an aside here for a minute– I wonder (and I’m sure this is out there somewhere) what G and G would think of Heidegger’s conception of philosophy since he wanted to rethink philosophy not from the tree of logos or the roots but from the very ground from which the logos tree springs. In that sense, I’m sure the would like how Heidegger was challenging accepted modes of thought in philosophy; although, I’m sure they would have qualms with how he reordered philosophy and still found a center from which to spring. However, Heidegger is concerned with Be-coming– Dasien is, after all, the movement of Be-ing. In that sense, I believe that Heidegger can be seen as rhizomic writing. Yet again, though, G and G don’t want a beginning; they want “…neither beginning nor end, but always a middle…” (1458).

Mostly, I like their prose; the way they play with language and with the structure of logical thought: “We are writing this book as a rhizome. It is composed of plateaus. We have given it a circular form, but only for laughs” (1459).

This “logic” outlined in G and G, I believe can be seen in the works of early Palahiuk, in Joyce, in Danielewski, and with philosophers that perform in their text, such as Derrida or Ciouxous.

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